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Charmed by the Rose

Anthony Browell reminisces about meeting Rose Lindsay, the wife of Australian artist Norman Lindsay.

The champs

Two lively portrait photographs reflect the agility of their subjects: world champion Australian sportsmen Lionel Rose and Anthony Mundine.

In focus

Brook Andrew, Marcia Langton and Anthony Mundine.

Lovers of light

Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.

Four from the 30s

Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.

Portrait story

Artist Vincent Fantauzzo on dyslexia, connection and virtual sittings with Hugh Jackman.

Inspiration + Realisation: Peter Wegner

Peter Wegner's approach to portraiture could be considered a visual record of the rapport, the dynamic space between artist and subject.

Capturing the Mouse

Nancy Wake AC (b. 1912), one of the most­ decorated women of World War 2, earned the name the 'White Mouse' for her maddening ability to evade the Gestapo.

Powerful energy

Dr Christopher Chapman explores the symbolism in the portrait commission of Marcia Langton by Brook Andrew.

An Intimate Portrait of an Australian Artist in 1930

Lauren Dalla examines the life of Australian painter Roy de Maistre and his portrait by Jean Shepeard.

Reflection

British novelist and poet, Michael Rosen, weaves a tale about his early encounters with creativity and the self-portrait of a childhood friend.

Shifting pixels

In 2007 the National Portrait Gallery produced its first online exhibition featuring the animated self portraits created by some of Australia’s most innovative visual artists and animators.

The animating signature

Joanna Gilmore delights in the affecting drawings of Mathew Lynn.

Every flap, fold and bulge

Big it up

Former National Portrait Gallery Curator Magda Keaney was a member of the selection panel of the Schwepes Photographic Portrait Prize 2004 at the National Portrait Gallery London.

Bloodlines

Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).